{"title":"Advertising Collectibles","description":"\u003cp\u003eBefore brands had logos, they had containers.\u003c\/p\u003e\u003cp\u003eIn the nineteenth century manufacturers began putting their names on the things they sold. A pot lid printed with the name of a fish paste maker. A stoneware bottle stamped with the bottler and his street. A jar that carried a company into the kitchen and stayed there long after the contents were gone. These were the first objects of mass advertising, and they were made to be kept.\u003c\/p\u003e\u003cp\u003eIndustry made it possible. Transfer printing, moulded glass and salt glazed stoneware let a maker in Staffordshire or Dundee turn out thousands of identical vessels, each one bearing a name, a town, a claim. A grocer's shelf became a landscape of type. The container was the advertisement, and unlike a printed bill it travelled home with the customer and stayed in the house.\u003c\/p\u003e\u003cp\u003eWhat survives is a record of that commerce written in glass and clay. Ink bottles in aqua and amber, sold by the gross to schools and counting houses. Apothecary bottles with their original paper labels, naming remedies that no longer exist. Ginger beer bottles carrying the name of a bottler who worked a single street. Marmalade jars from Dundee, where the recipe was invented and the name became the product itself.\u003c\/p\u003e\u003cp\u003eCollectors have valued these pieces for more than a century, though the reasons have shifted. The early collectors wanted the rarest maker or the unusual colour. What draws people now is the typography, the weight of the material, the evidence of a hand at the kiln, and the quiet fact that an object made to be thrown away was kept instead. Condition, the legibility of the printing and the survival of an original label are what set one piece apart from another.\u003c\/p\u003e\u003cp\u003eGrouped together they read as a composition. A row of ink bottles becomes a study in colour and proportion. A set of pot lids becomes a wall of nineteenth century graphic design. They belong on a kitchen shelf, in a library, on a console, anywhere the plain authority of old commercial objects can be seen properly.\u003c\/p\u003e","products":[{"product_id":"vintage-james-keiller-dundee-marmalade-jars-milk-glass-1970s","title":"Vintage James Keiller Dundee Marmalade Jars, Milk Glass, 1970s","description":"\u003cp\u003eBeautiful pair of vintage James Keiller \u0026amp; Son Ltd. Dundee Seville Orange Marmalade jars, produced in Scotland and packed for Nestlé Canada Ltd., Toronto.\u003c\/p\u003e\u003cp\u003eJames Keiller \u0026amp; Son was one of Scotland’s most important marmalade manufacturers. The company was established in Dundee in the late 18th century and became internationally recognized for its distinctive Dundee-style marmalade, traditionally made with bitter Seville oranges and finely cut strips of orange peel. The brand grew from a local Scottish enterprise into an internationally distributed food company whose products were exported throughout the British Empire and beyond.\u003c\/p\u003e\u003cp\u003eThese jars represent a later chapter in that history. Made for the Canadian market, they feature the original bilingual inscriptions “Product of Scotland” and “Produit de l’Écosse,” together with the designation “Seville Orange Marmalade.” The reference to Nestlé Canada Ltd., Toronto documents the commercial relationship between the historic Scottish brand and its Canadian distributor. The bilingual labeling is an especially interesting detail, reflecting both the Canadian market and the period’s packaging requirements.\u003c\/p\u003e\u003cp\u003eThe jars are made of softly colored white milk glass, with black printed lettering and an elegant botanical border. Their restrained design is characteristic of vintage food packaging: practical, recognizable and carefully branded, yet visually appealing enough to become collectible in its own right. The familiar Dundee name, the Scottish origin and the reference to Seville oranges immediately communicate the identity and quality of the product.\u003c\/p\u003e\u003cp\u003eThis particular format is generally associated with the mid- to late 20th century, most likely circa the 1970s. Although much later than the original Victorian Keiller stoneware crocks, these milk-glass examples preserve the visual language and commercial identity of the historic brand while reflecting a more modern era of international food distribution.\u003c\/p\u003e\u003cp\u003eAs a pair, they have a particularly strong decorative presence. Their simple cylindrical silhouettes, warm ivory glass, crisp black typography and botanical framing create a refined yet nostalgic composition. They would be beautiful displayed together on open kitchen shelving, in a pantry, on a breakfast table, in a country-house interior or incorporated into a collection of antique and vintage advertising objects.\u003c\/p\u003e\u003cp\u003eThese jars are more than attractive kitchen accessories: they are tangible records of Scottish food history, international commerce and the evolution of branded packaging. They evoke the rituals of breakfast, the tradition of marmalade-making and the enduring appeal of a name that has represented Dundee marmalade for generations.\u003c\/p\u003e\u003cp\u003eA charming and highly decorative pair for collectors of British advertising, Scottish culinary history, vintage milk glass, marmalade memorabilia and beautifully preserved food-related objects.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1stDibs reference:\u003c\/strong\u003e LU10969252004942\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e 1970-1979\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1970\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e England\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e Molded\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Folk Art\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 4.7 × W 2.8 × D 2.8 IN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e GOOD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Regiment of Love","offers":[{"title":"Default Title","offer_id":50767784935663,"sku":"LU10969252004942","price":506.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/files\/IMG_0009_bg_processed.jpg?v=1789506018"},{"product_id":"victorian-antique-english-pot-lids-set-by-burgess-circa-1880","title":"Victorian Antique English Pot Lids Set by Burgess, Circa 1880","description":"\u003cp\u003eExceptional set of three antique English advertising pot lids bearing the celebrated Burgess’s Genuine Anchovy Paste mark.\u003c\/p\u003e\u003cp\u003eEach lid features an elaborate black transfer-printed design centered by a heraldic composition with a crown, lion and unicorn, together with the inscriptions “Burgess’s Genuine,” “The Original Fish Sauce Warehouse,” “107 Strand, corner of the Savoy Steps, London,” and “Anchovy Paste for Toast Biscuit \u0026amp;c.” The mottoes “Dieu et Mon Droit” and “Honi Soit Qui Mal Y Pense” further enhance the formal Victorian character of the design.\u003c\/p\u003e\u003cp\u003eBurgess’s was an important London manufacturer and retailer of sauces, fish preparations, imported foods and condiments. The company’s premises at 107 Strand became closely associated with its anchovy products, which were sold as refined savory delicacies for use on toast, biscuits and in prepared dishes. Anchovy paste was a popular ingredient in Victorian kitchens, valued for adding depth and richness to sauces, gravies and other savory preparations.\u003c\/p\u003e\u003cp\u003eThe company’s elaborate use of heraldic imagery was an intentional form of advertising. The royal-style emblem, formal lettering and prominent London address were designed to communicate authenticity, distinction and commercial authority at a time when branded food products were becoming increasingly important to consumers.\u003c\/p\u003e\u003cp\u003eThe lids are made of ceramic or pottery with original black transfer decoration. Their aged surfaces show natural discoloration, glaze variation, minor staining and signs of use consistent with their age and original function. The reverse sides retain the character of old ceramic production, with uneven surfaces and age-related wear. The three examples include slight variations in the printed design and wording, making the group especially interesting for collectors.\u003c\/p\u003e\u003cp\u003eBased on the ceramic form, transfer-printing technique, typography, heraldic decoration and historic Strand address, the lids are consistent with late 19th-century English advertising pottery, approximately circa 1870–1900. They are authentic period examples of the type of commercial pot lids once used to cover jars of fish paste and other specialty food products.\u003c\/p\u003e\u003cp\u003eHighly decorative and full of historic character, this set would be a wonderful addition to a collection of Victorian advertising pottery, English food-related antiques, ceramic ephemera or primitive folk-art objects. Displayed together in a kitchen, pantry, library or country-house interior, they create a striking composition of early commercial design and British culinary history.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1stDibs reference:\u003c\/strong\u003e LU10969252005022\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Late 19th Century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1880\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e England\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e Molded\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Victorian\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 0.6 × W 3.4 × D 3.4 IN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e GOOD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Regiment of Love","offers":[{"title":"Default Title","offer_id":50767785001199,"sku":"LU10969252005022","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/files\/IMG_0015_bg_processed.jpg?v=1789506019"},{"product_id":"antique-english-stoneware-ginger-beer-bottles-edwin-bing-son-1900","title":"Antique English Stoneware Ginger Beer Bottles, Edwin Bing \u0026 Son, 1900","description":"\u003cp\u003eCharming pair of antique English stoneware ginger beer bottles, each bearing the original printed identification of its local maker and place of origin.\u003c\/p\u003e\u003cp\u003eThe first bottle is marked “Edwin Bing \u0026amp; Son, Chemist, Canterbury,” with the words “Registered Trade Mark.” Edwin Bing was a Canterbury chemist and mineral-water producer associated with the manufacture and distribution of bottled refreshments. The second bottle is marked “Howard \u0026amp; Son, Ginger Brewed Beer, Northampton,” identifying a separate regional producer from Northampton.\u003c\/p\u003e\u003cp\u003eThese bottles belong to the tradition of British nineteenth-century ginger beer and mineral-water production, when local chemists, brewers, grocers and aerated-water manufacturers supplied beverages directly to their communities. Ginger beer was one of the most popular non-wine refreshments of the period. Made with ginger, sugar and water, it could be naturally fermented and was sold both as a family beverage and as a commercially prepared drink. Before modern glass bottling became widespread, stoneware was the preferred material for many of these products because it was durable, opaque and able to protect the contents from light. Its dense, non-porous body also helped maintain a stable temperature and withstand repeated handling and transport.\u003c\/p\u003e\u003cp\u003eThe bottles are particularly appealing because they preserve the names of two regional businesses rather than a mass-market national brand. Their printed marks document the importance of local commerce and the network of small manufacturers that supplied Victorian and Edwardian towns. Each bottle functioned simultaneously as a practical container, a commercial advertisement and a record of place.\u003c\/p\u003e\u003cp\u003eThe distinctive two-tone finish, with a warm brown glazed shoulder and neck contrasted against a pale stoneware body, is characteristic of English ginger beer bottles. The rounded shoulders, narrow necks and small openings were designed for cork closures, while the robust stoneware construction made the bottles suitable for storage, delivery and return to the bottler for reuse.\u003c\/p\u003e\u003cp\u003eThe Edwin Bing \u0026amp; Son bottle is generally associated with the late 19th century and is commonly dated to approximately circa 1900. The Howard \u0026amp; Son bottle belongs to the same broad tradition of regional English ginger beer production and is best dated conservatively to the late 19th or early 20th century. Taken together, the pair represents the transitional period when traditional stoneware containers were still widely used, just before glass bottles and modern industrial packaging became dominant.\u003c\/p\u003e\u003cp\u003eTheir softly aged surfaces, old printed lettering, warm glazes and utilitarian forms give them considerable decorative appeal. Displayed together on open shelving, in a kitchen, pantry, bar, library or country-house interior, they bring an authentic sense of English commercial history and everyday life.\u003c\/p\u003e\u003cp\u003eA highly attractive pair for collectors of antique advertising, English stoneware, ginger beer bottles, pharmacy and mineral-water history, folk art and primitive country objects. Each bottle retains the character of its original use while offering a vivid connection to the local food and beverage trade of Victorian and Edwardian England.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1stDibs reference:\u003c\/strong\u003e LU10969252006202\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Early 20th Century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1900\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e England\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e Molded\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Victorian\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 6.9 × W 2.9 × D 2.9 IN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e GOOD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Regiment of Love","offers":[{"title":"Default Title","offer_id":50767792373999,"sku":"LU10969252006202","price":561.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/files\/IMG_0024_bg_processed.jpg?v=1789506106"},{"product_id":"frank-cooper-ltd-vintage-pottery-jars-set-cries-of-london-1940","title":"Frank Cooper Ltd. Vintage Pottery Jars Set, Cries of London, 1940","description":"\u003cp\u003eExceptional set of three vintage advertising jars by Frank Cooper Ltd., Oxford, England, manufactured by Sandland Ware, Hanley, Staffordshire. Made of glazed pottery, each jar retains its matching lid and features transfer-printed figurative scenes inspired by the English series “Cries of London,” depicting street vendors and popular life in London.\u003c\/p\u003e\u003cp\u003eThe jars were originally created to hold Frank Cooper’s celebrated Oxford Marmalade, one of England’s best-known brands of preserves and marmalade. Frank Cooper began operating in Oxford in 1874 and established its reputation through products associated with quality, tradition and refined presentation. The company did not simply sell the contents; it also made the container part of the product’s identity.\u003c\/p\u003e\u003cp\u003eThe choice of “Cries of London” imagery is particularly meaningful. From the eighteenth and nineteenth centuries onward, London’s streets were populated by vendors announcing their goods aloud: flowers, fruit, food and everyday objects. These figures became a recurring subject in prints, paintings, illustrated books and decorative objects because they represented a picturesque and nostalgic image of the city. By incorporating them into its packaging, Frank Cooper connected its marmalade with an idealized vision of English tradition, urban life and popular memory.\u003c\/p\u003e\u003cp\u003eThe decoration was produced using transfer printing, a ceramic technique that allowed detailed images to be reproduced on a glazed surface. This process made it possible to apply complex scenes to commercially produced objects, combining the practical purpose of a kitchen container with the visual appeal of a decorative piece. The figures, colors and illustrative treatment give each jar the character of a small three-dimensional print.\u003c\/p\u003e\u003cp\u003eThe use of pottery was also practical. Before the widespread use of plastic and disposable packaging, ceramic offered a durable, hygienic and reusable way to store food. Once the marmalade had been consumed, these jars could continue to be used in the home for small objects, ingredients, buttons, threads or other domestic items. Their continued usefulness made the container part of everyday life long after the original product was gone.\u003c\/p\u003e\u003cp\u003eThe bases retain the identification of Frank Cooper Ltd., Oxford, England, together with the reference to Sandland Ware, a Staffordshire manufacturer known for producing decorative and utilitarian ceramics. This combination of food branding, English manufacture and historical imagery makes the set a particularly appealing example of the relationship between advertising, pottery and domestic culture.\u003c\/p\u003e\u003cp\u003eWhat makes this collection especially compelling is the way several layers of meaning come together: these are marmalade containers, English ceramic wares, advertising objects, examples of transferware and small representations of London’s social history. Displayed together, the three jars form a cohesive composition in which each scene offers a variation within the same visual world.\u003c\/p\u003e\u003cp\u003eA distinctive collection for an English-inspired kitchen, library, cabinet, pantry display or interior devoted to historic advertising and decorative objects. More than simple vintage jars, they preserve the memory of a celebrated brand, an earlier way of purchasing food and a period when packaging could become beautiful, reusable and deeply connected to domestic life.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1stDibs reference:\u003c\/strong\u003e LU10969252016462\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Mid-20th Century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1940\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e England\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e Glazed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Folk Art\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 3.6 × W 3.3 × D 3.3 IN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e GOOD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Regiment of Love","offers":[{"title":"Default Title","offer_id":50767792505071,"sku":"LU10969252016462","price":506.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/files\/IMG_9985_bg_processed.jpg?v=1789506108"},{"product_id":"set-of-five-antique-advertising-containers-english-french-circa-1900","title":"Set of Five Antique Advertising Containers, English \u0026 French, circa 1900","description":"\u003cp\u003eExceptional collection of five antique advertising containers, composed of four English pieces and one French mustard pot. The group brings together objects associated with food, health and domestic life from the late 19th and early 20th centuries, when products began to be sold in recognizable containers marked with brand names, addresses, awards and elaborate printed labels.\u003c\/p\u003e\u003cp\u003eThe tallest piece is marked James Keiller \u0026amp; Sons Dundee Marmalade, one of the most important marmalade brands in Great Britain. The company originated in Dundee, Scotland, and became famous for its marmalade made with bitter Seville oranges and finely cut orange peel. The container refers to the Grand Medal of Merit, Vienna, 1873, and the Prize Medal awarded in London in 1862, distinctions intended to communicate quality and prestige. During the Victorian period, Keiller’s marmalade became an internationally distributed product, and its distinctive ceramic jars were shipped throughout the British Empire.\u003c\/p\u003e\u003cp\u003eAnother piece is marked Oriental Soy Paste and Co-operative Wholesale Society, Newcastle-on-Tyne. The Co-operative Wholesale Society was a fundamental organization within the British cooperative movement, created to supply cooperative stores with everyday consumer goods. This container reflects the growing presence of international flavors in British kitchens and the development of commercial networks capable of distributing prepared and packaged foods on a large scale.\u003c\/p\u003e\u003cp\u003eThe container marked Virol bears the inscriptions “The Ideal Food,” “A Preparation of Bone Marrow,” and “An Ideal Fat Food for Children \u0026amp; Invalids.” Virol was a British product created in the late 19th century and marketed as a nourishing and restorative food. Its original formula included malt extract, bone marrow, beef fat, eggs, lemon syrup and soluble phosphates. It was promoted especially for children, infants, convalescents and those considered physically delicate, and was also presented as a nutritious alternative to cod-liver oil. Virol began production in London in 1899 and was originally sold in ceramic containers such as this one before later being packaged in glass jars. Its advertising provides an excellent example of the relationship between food, health and marketing during the Edwardian period and the early 20th century.\u003c\/p\u003e\u003cp\u003eThe circular piece belongs to Burgess’s Genuine Anchovy Paste and is identified as The Original Fish Sauce Warehouse, 107 Strand, Corner of Savoy Street, London. Burgess’s was a well-known English manufacturer of sauces, fish preparations and condiments. Anchovy paste was used to enrich sauces, gravies, savory dishes, toast and biscuits. The label features an elaborate design, with emblems, references to prestige and a prominent London address intended to convey authenticity and reliability. The wording “for Toast Biscuit \u0026amp;c.” even provides an insight into some of the ways the product was served and consumed.\u003c\/p\u003e\u003cp\u003eThe collection is completed by an antique French mustard pot, decorated in blue transferware. Its shape and decoration are characteristic of French containers used for mustard and other condiments. Although the manufacturer’s name is no longer completely legible, the piece provides an attractive continental contrast to the four English containers. Its blue-and-white decoration, compact form and aged surface give it a particularly refined presence.\u003c\/p\u003e\u003cp\u003eThese pieces were not merely disposable packages. Before modern packaging, ceramic containers protected their contents, facilitated storage and also served as permanent advertising. Brand names, commercial addresses, awards and health-related claims helped distinguish each product and establish consumer confidence.\u003c\/p\u003e\u003cp\u003eAs a collection, this group documents the transformation of food and household preparations into branded commercial products. It speaks of the expansion of British trade, the growth of grocery stores, the cooperative movement, the introduction of international flavors, domestic health practices and the beginnings of modern advertising.\u003c\/p\u003e\u003cp\u003eThe stoneware and ceramic surfaces, printed labels, aged glazes, natural variations in color and traces of use give each piece an authentic sense of history. Displayed together in a kitchen, dining room, library, pantry or country-house interior, they form a highly decorative composition and evoke an era when an everyday container could become a small emblem of modern life.\u003c\/p\u003e\u003cp\u003eA distinctive collection for collectors of antique advertising, English ceramics, historic culinary objects, Victorian and Edwardian culture, and timeless European interiors.\u003c\/p\u003e\u003cp\u003eCondition:\u003c\/p\u003e\u003cp\u003eThe pieces show some surface wear, discoloration and minor chips consistent with their age, original use and antique character. Despite these imperfections, the collection remains in good overall condition, with the original advertising marks and decorative details well preserved. The wear is consistent with age and use and contributes to the authentic character of the pieces. Please refer to the photographs for a detailed view of their condition.\u003c\/p\u003e\u003cp\u003eDimensions\u003c\/p\u003e\u003cp\u003eVirol — W 3.8 × D 3.8 × H 5.5 in\u003c\/p\u003e\u003cp\u003eGrey Poupon — W 2.8 × D 2.8 × H 4.5 in\u003c\/p\u003e\u003cp\u003eEuthymol Toothpaste — W 3 × D 3 × H 1.5 in\u003c\/p\u003e\u003cp\u003eBurgess’s Genuine Anchovy Paste — W 3.4 × D 3.4 × H 5.5 in\u003c\/p\u003e\u003cp\u003eAntique Dundee Marmalade — W 3.8 × D 3.8 × H 5.2 in\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1stDibs reference:\u003c\/strong\u003e LU10969252004292\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Early 20th Century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1899\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e Molded\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Victorian\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 5.2 × W 3.8 × D 3.8 IN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e GOOD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Regiment of Love","offers":[{"title":"Default Title","offer_id":50767978725615,"sku":"LU10969252004292","price":1155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/files\/IMG_9993_bg_processed.jpg?v=1789507359"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/0613\/7327\/collections\/IMG_9985_bg_processed.jpg?v=1789506415","url":"https:\/\/regimentoflove.com\/collections\/advertising-collectibles.oembed","provider":"Regiment of Love","version":"1.0","type":"link"}