Economics and Poetry The Secret Beauty of Southern Italian Domestic Ceramics In the lands of Apulia, for centuries, ceramics were born for everyday life: golden amphorae, wine jugs, simple pots to store food. Pieces created without pretension, made to endure, yet left behind by time and modernisation. Today, these humble ceramics, known as ceramica rustica, reveal an unexpected beauty. They do not seek perfection; instead, they celebrate irregularity, simplicity, and essence. Every glaze, every gestural trace, carries the memory of hands working and singing in the botteghe of Grottaglie, where chance and fire shaped colours and textures. When observed closely, something happens: their minimal decorations, their lines and splashes evoke gestures that seem to anticipate contemporary art. Critics find echoes of Jackson Pollock, Sam Francis, Morris Louis, and Henri Michaux, even without direct influence — it is the intuition of the human spirit, a shared expressive impulse that transcends centuries. These objects, born out of necessity, end up in dialogue with abstraction, with the freedom of form, and with the very origins of art. In every bowl, in every jug, there is a quiet act of resistance: the poetry that lives within the everyday. Text inspired by Caroline Kesser